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The Mirror Of My Heart: A Thousand Years of Persian Poetry by Women Hardcover – October 1, 2019
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One of the very first Persian poets was a woman (Rabe eh, who lived over a thousand years ago) and there have been women poets writing in Persian in virtually every generation since that time until the present. Before the twentieth century they tended to come from society's social extremes. Many were princesses, a good number were hired entertainers of one kind or another, and they were active in many different countries Iran of course, but also India, Afghanistan, and areas of central Asia that are now Uzbekistan, Turkmenistan, and Tajikistan. Not surprisingly, a lot of their poetry sounds like that of their male counterparts, but a lot doesn't; there are distinctively bawdy and flirtatious poems by medieval women poets, poems from virtually every era in which the poet complains about her husband (sometimes light-heartedly, sometimes with poignant seriousness), touching poems on the death of a child, and many epigrams centered on little details that bring a life from hundreds of years ago vividly before our eyes.
In the nineteenth century we begin to see political poems, often very angry ones, by women demanding both the independence of Middle-Eastern countries from Western governments and women s emancipation.Perhaps the most personal and intensely emotional poems are those of the last hundred years, in which we see local sensibilities rooted in a millennium of literary and social tradition responding to, and embracing or rejecting, the myriad multi-cultural strands that make up the modern world.
The Mirror of My Heart is a unique and captivating collection introduced and translated by Dick Davis, an acclaimed scholar and translator of Persian literature as well as a gifted poet in his own right. In his introduction he provides fascinating background detail on Persian poetry written by women through the ages, including common themes and motifs and a brief overview of Iranian history showing how women poets have been affected by the changing dynasties. From Rabe'eh in the tenth century to Fatemeh Ekhtesari in the twenty-first, each of the eighty-four poets in this volume is introduced in a short biographical note, while explanatory notes give further insight into the poems themselves.
- Print length344 pages
- LanguageEnglish
- PublisherMage Publishers
- Publication dateOctober 1, 2019
- Dimensions5.8 x 1 x 8.7 inches
- ISBN-101949445054
- ISBN-13978-1949445053
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Davis, a poet, scholar, and translator of Persian literature, delivers an anthology that provides ample context for readers looking to explore Persian poetry written by women from the Middle Ages to the present. “A significant feature of Persian poetry,” Davis writes, “that distinguishes it from most verse written in European language is that almost all of it—from the earliest poems, to the present day—remains relatively accessible to a contemporary speaker.” Among the contemporary poets included in the anthology is Pegah Ahmadi (born in 1974), an Iranian political refugee and one of the translators of Sylvia Plath into Persian. “Why in the depths of no-progress is nothing moving?” she asks in an untitled poem. “Language is a cutting off of terror/ look, blood doesn’t flow from the wrist,/ and neither does it clot/ and I, whose eye was an open history of intensity,/ throw a razor into the abyss.” With its subtle, comprehensive history of how female poets have responded to political upheaval throughout the centuries, this work provides readers with a thoughtful and thorough introduction to Persian poetry, and the important role that women have played in shaping it. (Oct.) Publishers Weekly.
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- Publisher : Mage Publishers; 1st edition (October 1, 2019)
- Language : English
- Hardcover : 344 pages
- ISBN-10 : 1949445054
- ISBN-13 : 978-1949445053
- Item Weight : 1.27 pounds
- Dimensions : 5.8 x 1 x 8.7 inches
- Best Sellers Rank: #1,845,940 in Books (See Top 100 in Books)
- #2,492 in Poetry Anthologies (Books)
- Customer Reviews:
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Several of the poems are similar to ancient Chinese poems. As a collection only the ancient Japanese poetry collection Kokinshu ( also called Kokin Wakashu) gets five stars.
Top reviews from other countries
Ainda não li, mas chegou em péssimas condições, com danos na capa.
Reviewed in Brazil on March 27, 2023
Ainda não li, mas chegou em péssimas condições, com danos na capa.
Although translated...the poems have the impact.
In terms of quality of the book...the paper is soft and the print is eye-friendly.
Reviewed in India on January 23, 2023
Although translated...the poems have the impact.
In terms of quality of the book...the paper is soft and the print is eye-friendly.
Mahsati Ganjavi (1089–1159) published famous quatrains, celebrating joy and love as the greatest aims in life. She lived her dream of personal fulfillment on a public stage, as an intellectual associate of Omar Khayyam and a companion of the Seljuq Sultan Sanjar. She aroused controversy condemning the dogmatism of professional clerics, and writing odes to freedom:
No force can bind us: pull of moment, arrows flying home,
Nor any wild nostalgia that seized our hearts whilom
Though my soft braids turned chains of steel and anchored in your heart,
Could any chain keep me home if I should wish to roam?
Her city of Ganja, which is now in the Republic of Azerbaijan, has a beautiful center for art and literature devoted to her memory.
Jahan Malek Katun (1324–1382) lived in Shiraz during the same decades as the great Hafez, and these poets seemed to interact in a dance of sometimes stylistically mirroring lyrics. She was approximately three times more prolific than Hafez, although the love she expressed was less ecstatic than profoundly compassionate. In 1353 the warlord Mobarez al-Din invaded Shiraz and killed all her male relatives. She wrote 23 heartbroken elegies to a deceased infant daughter. Her works included hundreds of odes, quatrains, and 1,413 gazal love poems, the earliest manuscripts of which are embellished with gold or illuminated with fine artwork, preserved as treasures of world heritage in Paris, Istanbul, and Cambridge.