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Sophocles' Antigone: A New Translation
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- ISBN-100521134781
- ISBN-13978-0521134781
- PublisherCambridge University Press
- Publication dateApril 18, 2011
- LanguageEnglish
- Dimensions5.51 x 0.32 x 8.51 inches
- Print length126 pages
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- Publisher : Cambridge University Press (April 18, 2011)
- Language : English
- Paperback : 126 pages
- ISBN-10 : 0521134781
- ISBN-13 : 978-0521134781
- Item Weight : 7.1 ounces
- Dimensions : 5.51 x 0.32 x 8.51 inches
- Best Sellers Rank: #922,073 in Books (See Top 100 in Books)
- #357 in Ancient & Classical Dramas & Plays
- #1,496 in Literature
- #35,237 in Unknown
- Customer Reviews:
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Diane Rayor is Professor Emerita of Classics at Grand Valley State University, Michigan, USA, where she co-founded the Classics Department in 2000. Her newest Sappho translation (2023) incorporates thirty-two more fragments than in the first edition (2014) and revisions of over seventy fragments. The second edition also includes an audio recording of the poems by Kate Reading.
Rayor has published six book translations of ancient Greek poetry, mythology, and drama: Sappho: A New Translation of the Complete Works (Cambridge University Press, 2nd edition 2023); Euripides' 'Medea': A New Translation (Cambridge U P, 2013); Sophocles' 'Antigone': A New Translation (Cambridge U P, 2011); Homeric Hymns: A Translation, with Introduction and Notes (California U P, updated 2014); Sappho's Lyre: Archaic Lyric and Women Poets of Ancient Greece (California U P, 1991); and Callimachus (with S. Lombardo, 1988).
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The book comes with an explanation towards the beginning, which delves into the nature of the story; the origin, how Sophocles arranged for it to be performed, and the emergence of The Chorus. Their role within ancient plays cannot be overstated, for example in how they are later featured heavily in Shakespeare's. I was ecstatic to read more about them right then and there. Professor Rayor truly went in-depth, even traveling to Greece to learn more about the process of Ancient Greek theatre. All in all, this book has been an absolute joy to possess.
Diane Rayor’s very readable new translation of this powerful play lucidly portrays the conflict that Antigone faces in defying her uncle’s immoral order. Faced with a cruel, heartless, immoral order, what is an individual to do, especially one who is a member of the ruling family? Is a valid decree of the state, no matter how cruel, something that must be complied with by every individual? No, Antigone chooses death rather than be bullied by a tyrant ('O tomb, bridal chamber, deep,/ eternal crypt where I walk toward/ my own kin, most of whom have perished').
Sophocles’ play was written and acted during the brutal 30-years Greek civil war between the Athenian League and Sparta and her allies. The Athenian audience would certainly have recognized the parallels in the famous saga of the Theban royal family with the savage politics of the Athenian state at war. But such profound criticism is easier to process if it ostensibly applies to a different state at a different time.